LIFE
Following my previous posting about the influence that LIFE magazine had on the development of my photographic taste, and frequent references that I make to camphones, a friend has sent me this picture.
LIFE
The Three Sisters
Puke Ariki, our local museum has this striking display. (although I admit I have Photoshopped out some labels on the rocks in order to clean up the image a bit). In the foreground is the skeleton of a dolphin, and in the background we have The Three Sisters which are about and hour north of of New Plymouth and of course a local treasure. About 4 years ago I photographed them.
Within a month the middle one, known as the ‘skinny sister’ collapsed into the sea so I was fortunate to see it. At the time I was forming a trust, so it became The Three Sisters Trust.
Within a month the middle one, known as the ‘skinny sister’ collapsed into the sea so I was fortunate to see it. At the time I was forming a trust, so it became The Three Sisters Trust.
Roots.
Today I photographed these on a track in Pukekura Park, about 10 minutes walk away. I’ve probably photographed these exact same roots about five times now. I always stop and look at them when I pass by. If you asked me to explain why I would struggle. I feel that sometimes I photograph something in order to see what it looks like when its been photographed. In this photo’s case, it feels a step on from the previous one of which I am glad. Right in the centre there seems to an area that is glowing. i like that part.
The photograph below is about four years old. Even though superficially the subject matter is close to the previous one, they feel different in their concerns, their flavour. A friend told me about how he had seen these particular roots and how he thought I would like them. He was right. They remind me strongly of extreme dentistry of which I’ve had lots. I liked the image and exhibited it a couple of times.
Tui
This is the foot of a dead Tui. I found the body of one that had flown into window glass. Maggots did their work and and after a week or so and some superficial cleaning from me, I’ve got to this stage with the carcass, as shown in the photos below. I’ve made a black and white version of the top photo just in case something different is revealed.
I’m reluctant to go any further with cleaning this skeleton because at present I’m enjoying how it is fossil-like, reminiscent of a Pterodactyl. I’ve been taking it slowly just in case there is an image somewhere in there. Looking at the Tui’s legs did encourage me to have another look at some hawk’s feet that I have. Here is one of them.
Mt TaranakiPuke Ariki, our museum here in New Plymouth, has an arresting 3 or 4 minute video on loop. It shows the volcanic history of Mt Taranaki and describes the effect various eruptions have created eg thick suffocating ash everywhere. Trees have been found on the side of the mountain that still have rocks from the last eruption stuck in their branches. The lower image, dated minus 250yrs, indicates how active the maunga is. I hope we get some warning. New Plymouth could be the new Pompeii.
One particularly unattractive effect after an active period of eruption, is that large tracts of surrounding land, can slump.
I was strolling through the museum today and snapped these shots with my camphone.
I didn’t take the photos just because of the content. I like the shapes.
Edward Bullmore’s Launch
For the third Sunday in a row the Sunday Star Times has had a stamp sized photo of mine published at the bottom of page 3. The images are embedded in advertisements for forthcoming auctions. Here is last Sunday’s, this time an image from 1993. The estimate on it is $6000-$10,000.
When Edward Bullmore was teaching in Tauranga he kept this boat on one of the Rotorua lakes. It is called Honeypot.
I must admit, next Sunday I am going to the dairy to buy a paper.
Falling Soldier
An artwork that has really stuck to me over the last 10 days is this Lego piece by
Marcos Vilarno. I came across the image on a posting on overthenet and since have found myself thinking about it often. I had never heard of this artist before.
About 10 years ago I was in Denmark and visted Legoland. Magically, It was snowing delicately during my visit. I have a few negatives from that occasion that I have not yet printed, but here is one that was. I put it in because It seems to match the image above, the juxtaposition reminding me of Gallipoli stories.
Below is the Robert Capa photo that Marcos Vilainos is quoting, taken during the Spanish Civil War and dated Sep 15, 1936. I was bought up on Capa’s work, seeing it published often to illustrate the theme of war. The popular Life magazine published his photos and those of many others and luckily, when I was a boy, it was a magazine that often turned up in our home. It has turned out that Life was an important part of my photographic education.
Capa was killed in 1954, in Vietnam, while covering a battle between French soldiers and the Viet Minh. The film that was in his camera was developed and some images taken a moment before he stepped on a landmine, have been published posthumously.
This is a Capa cover for Life, 1938. This time a Chinese soldier at a time when China was under attack from Japan.
Kandinsky 1866-1944 When I first took up photography in my 30’s and began looking at as much art as possible, Kandinsky’s work meant a great deal to me. Although I am a photographer, I’m not wedded to photography in particular, believing that great art can be made from any medium, so I’ve always tried to keep an open mind about what I looking at.
I’m not a follower of the art v. craft division. I’m more ‘All of it is craft, some of it is art’.
I particularly liked the way Kandinsky painted in a suit. I rather like the idea of dressing up to make art. It seems respectful, ceremonial.
Below are 4 photos taken over a 3 day period while he was working on Composition VII 1913.
PS Click to enlarge images.
Matthew Collings
Matthew Collings is going to be in NZ in a couple of months. He’s coming here to open the Auckland Art Fair.
I’m glad to see him being brought to New Zealand, as I believe that his views on the visual arts are worth listening to.
Kim Hill on National Radio, interviewed him for 40 minutes last Saturday morning. If you feel like it some time you might like to dip into the interview, to get the feel of the grain of his mind. The interview will be available for 3 weeks.