Sheep, Stoney Batter.

On Boxing Day, I was on Waiheke Island. While walking from the carpark to Stoney Batter I
saw these sheep. They reminded me of Canterbury Landscape, a photo that I took in 2004.

Stoney is often spelt Stony, even on the island. I prefer the look of Stoney. I need Max Cryer!
Batter I have looked up in my Shorter Oxford English Dictionary. Shorter meaning two big volumes with lots of detail.

Christmas Eve 2006
This is a rarely seen photo that I made a couple of years ago. Never published, it remains one
of my favourites. I like the way that it reminds me of something from Mad Max.
I enjoy the scale of it as well. This trailer is on the Wairarapa coast where the waves are big
and the beaches steep. Bulldozers are used to put trailers like this in the water.

Today I am flying to Auckland and then getting a ferry to Waiheke Island where I will
stay for a few days. The plane journey and the ferry trip both take 35 minutes.
On Waiheke I will have access to a computer and hopefully I will be able to continue to maintain my website. I have not done this from a remote computer before.

If there are no more entries for the next few days, you will know that I am having difficulty doing this. Otherwise, I’ll be back at this computer on Friday afternoon.

The internet and art galleries
Often over the last few years in art galleries we have seen video works on display. Until the advent of sites such as YouTube and Googlevideo on the internet, apart from art galleries, there weren’t many venues to display any videos that were not completely mainstream. Television stations rarely allowed room in their programming.

Now however, everything has quite suddenly changed. Now we have the internet providing venues for all sorts of video material, some taken by camphones.

Here is a cheery Japanese example, which while it is of rather low resolution, does remind me of works that have been showing in art galleries for some time. I don’t know any background to who did this work, except that I’m fairly sure that I saw an earlier version some months ago. I enjoy its lighthearted approach, a sort of fun day at the office.


X-Ray c. 1996



New Teeth

This Christmas I have had a marvellous present. I have new top teeth. All of my life I have had trouble with my teeth. From an early age I had fillings and later even the fillings seemed to have fillings. The School Dental Clinic always featured heavily in my life, they were a source of dread. The clinics used slow foot driven drills, hypodermics had large, blunt needles, mercury was everywhere, pain and fear dominated, it was always known as the Murder House. Worries about my teeth dominated my childhood, and later in life, became an ongoing concern, as no matter how much care I took of them, my teeth, over the years continued to deteriorate. It seemed that I had a genetic weakness in that area, soft teeth perhaps, not helped by being raised at a time where there was no fluoride in the water and dental floss was unheard of.

Recently, when I began writing down as many of my biographical details as possible, so intense are my feelings about dentistry that it was one of the first of my memories that I began putting on paper. There I was writing my biography and I was starting with the story of my teeth. I made a pilgrimage to Taheke School to visit the very clinic where I had some of my very first fillings ever. I knew that the school had closed down, but I was quite upset to find that the clinic had been trucked away to another site. Oh how I would love to have owned that building. To have my very own dental clinic!

Years ago, when in London, I visited a dental museum. The history of dentistry intrigues me, I loved seeing Roman dental tools (they packed cavities with gold, using foil pushed in layer after layer by metal instruments). I saw false teeth made from Hippopotamus bone. I saw Victorian dentists surgeries, reconstructed, open fireplaces, spittoons on the floor by the chairs. So primitive. NZ has no dental museum although there are many items in collections around the country and where possible I seek them. Early X-ray machines are very photogenic although I have not yet managed to get an image.

As my teeth deteriorated over the decades, I had, first, one partial plate built, then a little later a bigger partial, and so on. There were many crowns too. Then last year I broke an upper tooth that was crucial to holding my partial in place, plus, under a crown a jaw abcess had started. Something had to be done. There were only two options, my remaining snaggle teeth had to be removed from my upper jaw, and I would have to wear a full plate of the pink plastic sort that old people often wear in this country, or, I would have dental implants. I chose the latter. This marvellous technology, invented in Sweden 40 years ago, involves screwing titanium posts into the jaw, then attaching ceramic teeth to them. It’s expensive, and takes time but that is the course I chose.

So 18 months ago I had all my remaining top teeth removed, I vividly remember them as a little pile of rubble in front of me as the surgeon took them out piece by piece. I grieved for some weeks over the sight. Bone dust of some description, artificial now, was packed into the sockets and the gum stitched to keep it safely in there. There was a time when this bone material was collected from the patients hip. This bone graft was so that the jaw bone could grow through it and give the titanium posts something substantial to screw into. It takes three or four months for the process to be complete. Then I had a CT scan to determine where the best bone was, so that the targets for the posts could be exactly determined.

Then I had an operation (under local!) to screw 6 large titanium posts into the jaw. Another 3 or 4 months had to be allowed for the bone to not only grow around the metal but to bond to its surface. Now, 18 months later, the process is almost over. No longer are my teeth tobe sitting in a glass at night.

You would think that with all this interest that I have in dentistry that I would have taken more photographs throughout my career. However, although I’ve tried, it hasn’t so far worked out. The only one that I have released is the x-ray photo on this page. At that time I was taking images with large splits down the middle, which without getting into speculative psychiatry, didn’t seem like a very healthy sign.

So, dear visitor, I hope that this description hasn’t put you off ever going back to the dentist, or cast a pall over your Christmas!

Dear visitor, today I am trying something new. Here is a link to a 20 minute video lecture by Sir Ken Robinson on the subject of creativity and education. Ken Robinson reminds me of Michael Caine.
Once I did an MA in Education at Auckland University. It taught me lot about how to look at the composition of a curriculum. Ironically, it taught me so much about questioning a curriculum that I had to give up teaching. Luckily, shortly after that, by then my early 30’s, I discovered photography.

However, if you are in the mood, do make yoursef comfortable and click onto the link in the title, Schools and Creativity. You will see a film of this challenging lecturer at work at a conference in Monterey, California.

Still Life
A work that I made in 1982. At the time I was very interested in multiples.I put the turkey feather in part of a toy. The basket I still have.

After After Rembrandt.
On Saturday I bought this shell at a market in New Plymouth.
It reminds me of two earlier photographs of mine. After a day or two of living
with this photo, and making some prints of it in different sizes, I am thinking that I
will print up an edition.


Pine

Pine is a new image, that I have just released. In an edition of 15, it is a silver gelatin print, 135 x100 mm. Price is $750 including gst and the frame as pictured. In the photo above it is standing on my piano.
Anyone interested in purchasing a framed Pine, please phone me at 021669879. Delivery this week could be overnight.


Tamarin
There is a successful breeding colony of these tiny monkeys here in a zoo in New Plymouth.
It is possible for humans to enter their tree-filled cage so that there is nothing between the tamarin and the human observer. I’m interested in doing a serious portrait of one, but so far this is as good as I have been able to manage. I’ve been back many times with my camera but still have not managed to improve on this. The zoo is a few minutes walk from my home, and it’s a council run, free entry zoo so I will keep trying. There are some photos eg portraits of tadpoles, that I have been working on for many years. I would also like to do a portrait of a slug.